Vanibot: Vanibot #0020: VersionCompareLinker - added a link to the Version Compare feature

2020-01-26T15:37:29Z

Vanibot #0020: VersionCompareLinker - added a link to the Version Compare feature

← Older revision		Revision as of 15:37, 26 January 2020
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	<div style="float:left">'''[[Sri Caitanya-caritamrta (1975)\|Śrī Caitanya-caritāmṛta (1975)]] - [[CC Adi (1975)\|Ādi-līlā]] - [[CC Adi 16 (1975)\|Chapter 16: The Pastimes of the Lord in His Childhood and Youth]]'''</div>		<div style="float:left">'''[[Sri Caitanya-caritamrta (1975)\|Śrī Caitanya-caritāmṛta (1975)]] - [[CC Adi (1975)\|Ādi-līlā]] - [[CC Adi 16 (1975)\|Chapter 16: The Pastimes of the Lord in His Childhood and Youth]]'''</div>
	<div style="float:right">[[File:Go-previous.png\|link=CC Adi 16.101 (1975)\|Ādi-līlā 16.101]] '''[[CC Adi 16.101 (1975)\|Ādi-līlā 16.101]] - [[CC Adi 16.103 (1975)\|Ādi-līlā 16.103]]''' [[File:Go-next.png\|link=CC Adi 16.103 (1975)\|Ādi-līlā 16.103]]</div>		<div style="float:right">[[File:Go-previous.png\|link=CC Adi 16.101 (1975)\|Ādi-līlā 16.101]] '''[[CC Adi 16.101 (1975)\|Ādi-līlā 16.101]] - [[CC Adi 16.103 (1975)\|Ādi-līlā 16.103]]''' [[File:Go-next.png\|link=CC Adi 16.103 (1975)\|Ādi-līlā 16.103]]</div>
			{{CompareVersions\|CC\|Adi 16.102\|CC 1975\|CC 1996}}
	{{RandomImage}}		{{RandomImage}}


	~~''Below is the 1996 edition text, ready to be substituted with the 1975 one using the compile form.''~~

	==== TEXT 102 ====		==== TEXT 102 ====

	<div class="verse">		<div class="verse">
	:doṣa-guṇa-~~vicāra—ei~~ alpa ~~kari’~~ māni		:doṣa-guṇa-vicāra--ei alpa kari' māni
	:kavitva-karaṇe śakti, tāṅhā se vākhāni		:kavitva-karaṇe śakti, tāṅhā se vākhāni
	</div>		</div>
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	<div class="synonyms">		<div class="synonyms">
	doṣa-guṇa-vicāra—therefore to criticize ~~one’s~~ poetry as good or bad; ei—this; alpa—negligible; ~~kari’—making~~; māni—I consider; kavitva—poetic ingenuity; karaṇe—in performing; śakti—power; tāṅhā—that; se—we; vākhāni—describe.		doṣa-guṇa-vicāra—therefore to criticize one's poetry as good or bad; ei—this; alpa—negligible; kari'-making; māni—I consider; kavitva—poetic ingenuity; karaṇe—in performing; śakti—power; tāṅhā—that; se—we; vākhāni—describe.
	</div>		</div>

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	<div class="translation">		<div class="translation">
	~~“Such~~ mistakes should be considered negligible. One should see only how such poets have displayed their poetic power.		"Such mistakes should be considered negligible. One should see only how such poets have displayed their poetic power.
	</div>		</div>

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	<div class="purport">		<div class="purport">
	In Śrīmad-Bhāgavatam ([[SB 1.5.11]]) it is said:		In Śrīmad-Bhāgavatam ([[SB 1.5.11\|1.5.11]]) it is said:

	:tad-vāg-visargo janatāgha-viplavo		:tad-vāg-visargo janatāgha-viplavo
	:yasmin prati-ślokam abaddhavaty api		:yasmin prati-ślokam abaddhavaty api
	:~~nāmāny~~ anantasya yaśo ~~’ṅkitāni~~ yat		:nāmany anantasya yaśo 'ṅkitāni yat
	:śṛṇvanti gāyanti gṛṇanti sādhavaḥ		:śṛṇvanti gāyanti gṛṇanti sādhavaḥ

	~~“In~~ explaining the glories of the Lord, inexperienced men may compose poetry with many faults, but because it contains glorification of the Lord, great personalities read it, hear it and chant it.” Despite its minute literary discrepancies, one must study poetry on the merit of its subject matter. According to Vaiṣṇava philosophy, any literature that glorifies the Lord, whether properly written or not, is first class. There need be no other considerations. The poetic compositions of Bhavabhūti, or Śrīkaṇṭha, include Mālatī-mādhava, Uttara-carita, Vīra-carita and many similar Sanskrit dramas. This great poet was born during the time of Bhojarāja as the son of Nīlakaṇṭha, a brāhmaṇa. Kālidāsa flourished during the time of Mahārāja Vikramāditya, and he became the state poet. He composed some thirty or forty Sanskrit dramas, including Kumāra-sambhava, Abhijñāna-~~śakuntalā~~ and Megha-dūta. His drama Raghu-vaṁśa is especially famous. We have already described Jayadeva in Chapter Thirteen of ~~the Adi~~-līlā.		"In explaining the glories of the Lord, inexperienced men may compose poetry with many faults, but because it contains glorification of the Lord, great personalities read it, hear it and chant it." Despite its minute literary discrepancies, one must study poetry on the merit of its subject matter. According to Vaiṣṇava philosophy, any literature that glorifies the Lord, whether properly written or not, is first class. There need be no other considerations. The poetic compositions of Bhavabhūti, or Śrīkaṇṭha, include Mālatī-mādhava, Uttara-carita, Vīra-carita and many other similar Sanskrit dramas. This great poet was born during the time of Bhojarāja as the son of Nīlakaṇṭha, a brāhmaṇa. Kālidāsa flourished during the time of Mahārāja Vikramāditya, and he became the state poet. He composed some thirty or forty Sanskrit dramas, including Kumāra-sambhava, Abhijñāna-śakuntala and Megha-dūta. His drama Raghu-vaṁśa is especially famous. We have already described Jayadeva in Chapter Thirteen of this Ādi-līlā.
	</div>		</div>

Vanibot: Vanibot #0027: CCMirror - Mirror CC's 1996 edition to form a basis for 1975

2019-03-11T22:15:14Z

Vanibot #0027: CCMirror - Mirror CC's 1996 edition to form a basis for 1975

New page

[[Category:Sri Caitanya-caritamrta (1975) - Adi-lila Chapter 16|C102]]
<div style="float:left">'''[[Sri Caitanya-caritamrta (1975)|Śrī Caitanya-caritāmṛta (1975)]] - [[CC Adi (1975)|Ādi-līlā]] - [[CC Adi 16 (1975)|Chapter 16: The Pastimes of the Lord in His Childhood and Youth]]'''</div>
<div style="float:right">[[File:Go-previous.png|link=CC Adi 16.101 (1975)|Ādi-līlā 16.101]] '''[[CC Adi 16.101 (1975)|Ādi-līlā 16.101]] - [[CC Adi 16.103 (1975)|Ādi-līlā 16.103]]''' [[File:Go-next.png|link=CC Adi 16.103 (1975)|Ādi-līlā 16.103]]</div>
{{RandomImage}}

''Below is the 1996 edition text, ready to be substituted with the 1975 one using the compile form.''

==== TEXT 102 ====

<div class="verse">
:doṣa-guṇa-vicāra—ei alpa kari’ māni
:kavitva-karaṇe śakti, tāṅhā se vākhāni
</div>

==== SYNONYMS ====

<div class="synonyms">
doṣa-guṇa-vicāra—therefore to criticize one’s poetry as good or bad; ei—this; alpa—negligible; kari’—making; māni—I consider; kavitva—poetic ingenuity; karaṇe—in performing; śakti—power; tāṅhā—that; se—we; vākhāni—describe.
</div>

==== TRANSLATION ====

<div class="translation">
“Such mistakes should be considered negligible. One should see only how such poets have displayed their poetic power.
</div>

==== PURPORT ====

<div class="purport">
In Śrīmad-Bhāgavatam ([[SB 1.5.11]]) it is said:

:tad-vāg-visargo janatāgha-viplavo
:yasmin prati-ślokam abaddhavaty api
:nāmāny anantasya yaśo ’ṅkitāni yat
:śṛṇvanti gāyanti gṛṇanti sādhavaḥ

“In explaining the glories of the Lord, inexperienced men may compose poetry with many faults, but because it contains glorification of the Lord, great personalities read it, hear it and chant it.” Despite its minute literary discrepancies, one must study poetry on the merit of its subject matter. According to Vaiṣṇava philosophy, any literature that glorifies the Lord, whether properly written or not, is first class. There need be no other considerations. The poetic compositions of Bhavabhūti, or Śrīkaṇṭha, include Mālatī-mādhava, Uttara-carita, Vīra-carita and many similar Sanskrit dramas. This great poet was born during the time of Bhojarāja as the son of Nīlakaṇṭha, a brāhmaṇa. Kālidāsa flourished during the time of Mahārāja Vikramāditya, and he became the state poet. He composed some thirty or forty Sanskrit dramas, including Kumāra-sambhava, Abhijñāna-śakuntalā and Megha-dūta. His drama Raghu-vaṁśa is especially famous. We have already described Jayadeva in Chapter Thirteen of the Adi-līlā.
</div>

<div style="float:right; clear:both;">[[File:Go-previous.png|link=CC Adi 16.101 (1975)|Ādi-līlā 16.101]] '''[[CC Adi 16.101 (1975)|Ādi-līlā 16.101]] - [[CC Adi 16.103 (1975)|Ādi-līlā 16.103]]''' [[File:Go-next.png|link=CC Adi 16.103 (1975)|Ādi-līlā 16.103]]</div>
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CC Adi 16.102 (1975) - Revision history

Vanibot: Vanibot #0020: VersionCompareLinker - added a link to the Version Compare feature

Vanibot: Vanibot #0027: CCMirror - Mirror CC's 1996 edition to form a basis for 1975