Vanibot: Vanibot #0020: VersionCompareLinker - added a link to the Version Compare feature

2020-01-26T16:37:37Z

Vanibot #0020: VersionCompareLinker - added a link to the Version Compare feature

← Older revision		Revision as of 16:37, 26 January 2020
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	<div style="float:left">'''[[Sri Caitanya-caritamrta (1975)\|Śrī Caitanya-caritāmṛta (1975)]] - [[CC Adi (1975)\|Ādi-līlā]] - [[CC Adi 17 (1975)\|Chapter 17: The Pastimes of Lord Caitanya Mahāprabhu in His Youth]]'''</div>		<div style="float:left">'''[[Sri Caitanya-caritamrta (1975)\|Śrī Caitanya-caritāmṛta (1975)]] - [[CC Adi (1975)\|Ādi-līlā]] - [[CC Adi 17 (1975)\|Chapter 17: The Pastimes of Lord Caitanya Mahāprabhu in His Youth]]'''</div>
	<div style="float:right">[[File:Go-previous.png\|link=CC Adi 17.31 (1975)\|Ādi-līlā 17.31]] '''[[CC Adi 17.31 (1975)\|Ādi-līlā 17.31]] - [[CC Adi 17.33 (1975)\|Ādi-līlā 17.33]]''' [[File:Go-next.png\|link=CC Adi 17.33 (1975)\|Ādi-līlā 17.33]]</div>		<div style="float:right">[[File:Go-previous.png\|link=CC Adi 17.31 (1975)\|Ādi-līlā 17.31]] '''[[CC Adi 17.31 (1975)\|Ādi-līlā 17.31]] - [[CC Adi 17.33 (1975)\|Ādi-līlā 17.33]]''' [[File:Go-next.png\|link=CC Adi 17.33 (1975)\|Ādi-līlā 17.33]]</div>
			{{CompareVersions\|CC\|Adi 17.32\|CC 1975\|CC 1996}}
	{{RandomImage}}		{{RandomImage}}


	~~''Below is the 1996 edition text, ready to be substituted with the 1975 one using the compile form.''~~

	==== TEXT 32 ====		==== TEXT 32 ====

	<div class="verse">		<div class="verse">
	:ūrdhva-bāhu ~~kari’~~ kahoṅ, śuna, sarva-loka		:ūrdhva-bāhu kari' kahoṅ, śuna, sarva-loka
	:nāma-sūtre ~~gāṅthi’~~ para kaṇṭhe ei śloka		:nāma-sūtre gāṅthi' para kaṇṭhe ei śloka
	</div>		</div>

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	<div class="synonyms">		<div class="synonyms">
	ūrdhva-bāhu—raising my hands; ~~kari’—doing~~ so; kahoṅ—I declare; śuna—please hear; sarva-loka—all persons; nāma—of the holy name; sūtre—on the thread; gāṅthi—stringing; para—get it; kaṇṭhe—on the neck; ei—this; śloka—verse.		ūrdhva-bāhu—raising my hands; kari'-doing so; kahoṅ—I declare; śuna—please hear; sarva-loka—all persons; nāma—of the holy name; sūtre—on the thread; gāṅthi—stringing; para—get it; kaṇṭhe—on the neck; ei—this; śloka—verse.
	</div>		</div>

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	<div class="translation">		<div class="translation">
	Raising my hands, I declare, ~~“Everyone~~ please hear me! String this verse on the thread of the holy name and wear it on your neck for continuous remembrance.”		Raising my hands, I declare, "Everyone please hear me! String this verse on the thread of the holy name and wear it on your neck for continuous remembrance."
	</div>		</div>

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	<div class="purport">		<div class="purport">
	When chanting the Hare Kṛṣṇa mahā-mantra, in the beginning one may commit many offenses, which are called nāmābhāsa and nāma-aparādha. In this stage there is no possibility of achieving perfect love of Kṛṣṇa by chanting the Hare Kṛṣṇa mahā-mantra. Therefore one must chant the Hare Kṛṣṇa mahā-mantra according to the principles of the above verse, tṛṇād api su-nīcena taror iva sahiṣṇunā. One should note in this connection that chanting involves the activities of the upper and lower lips as well as the tongue. All three must be engaged in chanting the Hare Kṛṣṇa mahā-mantra. The words ~~“Hare Kṛṣṇa”~~ should be very distinctly pronounced and heard. Sometimes one mechanically produces a hissing sound instead of chanting with the proper pronunciation with the help of the lips and tongue. Chanting is very simple, but one must practice it seriously. Therefore the author of ~~Śrī~~ Caitanya-caritāmṛta, Kṛṣṇadāsa Kavirāja Gosvāmī, advises everyone to keep this verse always strung about his neck.		When chanting the Hare Kṛṣṇa mahā-mantra, in the beginning one may commit many offenses, which are called nāmābhāsa and nāma-aparādha. In this stage there is no possibility of achieving perfect love of Kṛṣṇa by chanting the Hare Kṛṣṇa mahā-mantra. Therefore one must chant the Hare Kṛṣṇa mahā-mantra according to the principles of the above verse, tṛṇād api su-nīcena taror iva sahiṣṇunā. One should note in this connection that chanting involves the activities of the upper and lower lips as well as the tongue. All three must be engaged in chanting the Hare Kṛṣṇa mahā-mantra. The words "Hare Kṛṣṇa" should be very distinctly pronounced and heard. Sometimes one mechanically produces a hissing sound instead of chanting with the proper pronunciation with the help of the lips and tongue. Chanting is very simple, but one must practice it seriously. Therefore the author of Caitanya-caritāmṛta, Kṛṣṇadāsa Kavirāja Gosvāmī, advises everyone to keep this verse always strung about his neck.
	</div>		</div>

Vanibot: Vanibot #0027: CCMirror - Mirror CC's 1996 edition to form a basis for 1975

2019-03-11T22:36:45Z

Vanibot #0027: CCMirror - Mirror CC's 1996 edition to form a basis for 1975

New page

[[Category:Sri Caitanya-caritamrta (1975) - Adi-lila Chapter 17|C032]]
<div style="float:left">'''[[Sri Caitanya-caritamrta (1975)|Śrī Caitanya-caritāmṛta (1975)]] - [[CC Adi (1975)|Ādi-līlā]] - [[CC Adi 17 (1975)|Chapter 17: The Pastimes of Lord Caitanya Mahāprabhu in His Youth]]'''</div>
<div style="float:right">[[File:Go-previous.png|link=CC Adi 17.31 (1975)|Ādi-līlā 17.31]] '''[[CC Adi 17.31 (1975)|Ādi-līlā 17.31]] - [[CC Adi 17.33 (1975)|Ādi-līlā 17.33]]''' [[File:Go-next.png|link=CC Adi 17.33 (1975)|Ādi-līlā 17.33]]</div>
{{RandomImage}}

''Below is the 1996 edition text, ready to be substituted with the 1975 one using the compile form.''

==== TEXT 32 ====

<div class="verse">
:ūrdhva-bāhu kari’ kahoṅ, śuna, sarva-loka
:nāma-sūtre gāṅthi’ para kaṇṭhe ei śloka
</div>

==== SYNONYMS ====

<div class="synonyms">
ūrdhva-bāhu—raising my hands; kari’—doing so; kahoṅ—I declare; śuna—please hear; sarva-loka—all persons; nāma—of the holy name; sūtre—on the thread; gāṅthi—stringing; para—get it; kaṇṭhe—on the neck; ei—this; śloka—verse.
</div>

==== TRANSLATION ====

<div class="translation">
Raising my hands, I declare, “Everyone please hear me! String this verse on the thread of the holy name and wear it on your neck for continuous remembrance.”
</div>

==== PURPORT ====

<div class="purport">
When chanting the Hare Kṛṣṇa mahā-mantra, in the beginning one may commit many offenses, which are called nāmābhāsa and nāma-aparādha. In this stage there is no possibility of achieving perfect love of Kṛṣṇa by chanting the Hare Kṛṣṇa mahā-mantra. Therefore one must chant the Hare Kṛṣṇa mahā-mantra according to the principles of the above verse, tṛṇād api su-nīcena taror iva sahiṣṇunā. One should note in this connection that chanting involves the activities of the upper and lower lips as well as the tongue. All three must be engaged in chanting the Hare Kṛṣṇa mahā-mantra. The words “Hare Kṛṣṇa” should be very distinctly pronounced and heard. Sometimes one mechanically produces a hissing sound instead of chanting with the proper pronunciation with the help of the lips and tongue. Chanting is very simple, but one must practice it seriously. Therefore the author of Śrī Caitanya-caritāmṛta, Kṛṣṇadāsa Kavirāja Gosvāmī, advises everyone to keep this verse always strung about his neck.
</div>

<div style="float:right; clear:both;">[[File:Go-previous.png|link=CC Adi 17.31 (1975)|Ādi-līlā 17.31]] '''[[CC Adi 17.31 (1975)|Ādi-līlā 17.31]] - [[CC Adi 17.33 (1975)|Ādi-līlā 17.33]]''' [[File:Go-next.png|link=CC Adi 17.33 (1975)|Ādi-līlā 17.33]]</div>
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CC Adi 17.32 (1975) - Revision history

Vanibot: Vanibot #0020: VersionCompareLinker - added a link to the Version Compare feature

Vanibot: Vanibot #0027: CCMirror - Mirror CC's 1996 edition to form a basis for 1975