SB 10.16.26 - Revision history

Elad: Vanibot #0054 edit - transform synonyms into clickable links, which search similar occurrences

2024-02-17T18:29:16Z

Vanibot #0054 edit - transform synonyms into clickable links, which search similar occurrences

← Older revision		Revision as of 18:29, 17 February 2024
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	<div class="synonyms">		<div class="synonyms">
	''evam''~~—in~~ this way; ''paribhrama''~~—because~~ of the Lord's moving around him; ''hata''~~—spoiled~~; ''ojasam''~~—whose~~ strength; ''unnata''~~—raised~~ high; ''aṁsam''~~—whose~~ shoulders; ''ānamya''~~—making~~ him bend down; ''tat''~~—his~~; ''pṛthu-śiraḥsu''~~—onto~~ the broad heads; ''adhirūḍhaḥ''~~—having~~ climbed up; ''ādyaḥ''~~—the~~ ultimate origin of everything; ''tat''~~—his~~; ''mūrdha''~~—on~~ the heads; ''ratna-nikara''~~—the~~ numerous jewels; ''sparśa''~~—because~~ of touching; ''ati-tāmra''~~—very~~ much reddened; ''pāda-ambujaḥ''~~—whose~~ lotus feet; ''akhila-kalā''~~—of~~ all arts; ''ādi-guruḥ''~~—the~~ original spiritual master; ''nanarta''~~—began~~ to dance.		''[//vanipedia.org/wiki/Special:VaniSearch?s=evam&tab=syno_o&ds=1 evam]'' — in this way; ''[//vanipedia.org/wiki/Special:VaniSearch?s=paribhrama&tab=syno_o&ds=1 paribhrama]'' — because of the Lord's moving around him; ''[//vanipedia.org/wiki/Special:VaniSearch?s=hata&tab=syno_o&ds=1 hata]'' — spoiled; ''[//vanipedia.org/wiki/Special:VaniSearch?s=ojasam&tab=syno_o&ds=1 ojasam]'' — whose strength; ''[//vanipedia.org/wiki/Special:VaniSearch?s=unnata&tab=syno_o&ds=1 unnata]'' — raised high; ''[//vanipedia.org/wiki/Special:VaniSearch?s=aṁsam&tab=syno_o&ds=1 aṁsam]'' — whose shoulders; ''[//vanipedia.org/wiki/Special:VaniSearch?s=ānamya&tab=syno_o&ds=1 ānamya]'' — making him bend down; ''[//vanipedia.org/wiki/Special:VaniSearch?s=tat&tab=syno_o&ds=1 tat]'' — his; ''[//vanipedia.org/wiki/Special:VaniSearch?s=pṛthu&tab=syno_o&ds=1 pṛthu]-[//vanipedia.org/wiki/Special:VaniSearch?s=śiraḥsu&tab=syno_o&ds=1 śiraḥsu]'' — onto the broad heads; ''[//vanipedia.org/wiki/Special:VaniSearch?s=adhirūḍhaḥ&tab=syno_o&ds=1 adhirūḍhaḥ]'' — having climbed up; ''[//vanipedia.org/wiki/Special:VaniSearch?s=ādyaḥ&tab=syno_o&ds=1 ādyaḥ]'' — the ultimate origin of everything; ''[//vanipedia.org/wiki/Special:VaniSearch?s=tat&tab=syno_o&ds=1 tat]'' — his; ''[//vanipedia.org/wiki/Special:VaniSearch?s=mūrdha&tab=syno_o&ds=1 mūrdha]'' — on the heads; ''[//vanipedia.org/wiki/Special:VaniSearch?s=ratna&tab=syno_o&ds=1 ratna]-[//vanipedia.org/wiki/Special:VaniSearch?s=nikara&tab=syno_o&ds=1 nikara]'' — the numerous jewels; ''[//vanipedia.org/wiki/Special:VaniSearch?s=sparśa&tab=syno_o&ds=1 sparśa]'' — because of touching; ''[//vanipedia.org/wiki/Special:VaniSearch?s=ati&tab=syno_o&ds=1 ati]-[//vanipedia.org/wiki/Special:VaniSearch?s=tāmra&tab=syno_o&ds=1 tāmra]'' — very much reddened; ''[//vanipedia.org/wiki/Special:VaniSearch?s=pāda&tab=syno_o&ds=1 pāda]-[//vanipedia.org/wiki/Special:VaniSearch?s=ambujaḥ&tab=syno_o&ds=1 ambujaḥ]'' — whose lotus feet; ''[//vanipedia.org/wiki/Special:VaniSearch?s=akhila&tab=syno_o&ds=1 akhila]-[//vanipedia.org/wiki/Special:VaniSearch?s=kalā&tab=syno_o&ds=1 kalā]'' — of all arts; ''[//vanipedia.org/wiki/Special:VaniSearch?s=ādi&tab=syno_o&ds=1 ādi]-[//vanipedia.org/wiki/Special:VaniSearch?s=guruḥ&tab=syno_o&ds=1 guruḥ]'' — the original spiritual master; ''[//vanipedia.org/wiki/Special:VaniSearch?s=nanarta&tab=syno_o&ds=1 nanarta]'' — began to dance.
	</div>		</div>

Soham at 04:56, 21 May 2021

2021-05-21T04:56:23Z

← Older revision		Revision as of 04:56, 21 May 2021
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	~~{{SB_Header\|{{PAGENAME}}}}~~
	{{info		{{info
	\|speaker=~~Sukadeva Goswami~~		\|speaker=Śukadeva Gosvāmī
	\|listener=King ~~Pariksit~~		\|listener=King Parīkṣit
	}}		}}
			[[Category:Srimad-Bhagavatam - Canto 10 Chapter 16]]
			[[Category:Bhagavatam Verses Spoken by Sukadeva Gosvami - Vanisource\|101626]]
			<div style="float:left">'''[[Srimad-Bhagavatam]] - [[SB 10\|Tenth Canto]] - [[SB 10.16: Krsna Chastises the Serpent Kaliya\|Chapter 16: Kṛṣṇa Chastises the Serpent Kāliya]]'''</div>
			<div style="float:right">[[File:Go-previous.png\|link=SB 10.16.25]] '''[[SB 10.16.25]] - [[SB 10.16.27]]''' [[File:Go-next.png\|link=SB 10.16.27]]</div>
			{{RandomImage}}

			{{SBnotice}}
	==== TEXT 26 ====		==== TEXT 26 ====

	<div id="~~text~~">		<div class="verse">
	evaṁ paribhrama-hataujasam unnatāṁsam~~<br>~~		:evaṁ paribhrama-hataujasam unnatāṁsam
	ānamya tat-pṛthu-śiraḥsv adhirūḍha ādyaḥ~~<br>~~		:ānamya tat-pṛthu-śiraḥsv adhirūḍha ādyaḥ
	tan-mūrdha-ratna-nikara-sparśāti-tāmra-~~<br>~~		:tan-mūrdha-ratna-nikara-sparśāti-tāmra-
	pādāmbujo 'khila-kalādi-gurur nanarta~~<br>~~		:pādāmbujo 'khila-kalādi-gurur nanarta
	</div>		</div>

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	==== SYNONYMS ====		==== SYNONYMS ====

	<div id="synonyms">		<div class="synonyms">
	~~evam—in~~ this way; ~~paribhrama—because~~ of the Lord's moving around him; ~~hata—spoiled~~; ~~ojasam—whose~~ strength; ~~unnata—raised~~ high; ~~aṁsam—whose~~ shoulders; ~~ānamya—making~~ him bend down; ~~tat—his~~; pṛthu-~~śiraḥsu—onto~~ the broad heads; ~~adhirūḍhaḥ—having~~ climbed up; ~~ādyaḥ—the~~ ultimate origin of everything; ~~tat—his~~; ~~mūrdha—on~~ the heads; ratna-~~nikara—the~~ numerous jewels; ~~sparśa—because~~ of touching; ati-~~tāmra—very~~ much reddened; pāda-~~ambujaḥ—whose~~ lotus feet; akhila-~~kalā—of~~ all arts; ādi-~~guruḥ—the~~ original spiritual master; ~~nanarta—began~~ to dance.		''evam''—in this way; ''paribhrama''—because of the Lord's moving around him; ''hata''—spoiled; ''ojasam''—whose strength; ''unnata''—raised high; ''aṁsam''—whose shoulders; ''ānamya''—making him bend down; ''tat''—his; ''pṛthu-śiraḥsu''—onto the broad heads; ''adhirūḍhaḥ''—having climbed up; ''ādyaḥ''—the ultimate origin of everything; ''tat''—his; ''mūrdha''—on the heads; ''ratna-nikara''—the numerous jewels; ''sparśa''—because of touching; ''ati-tāmra''—very much reddened; ''pāda-ambujaḥ''—whose lotus feet; ''akhila-kalā''—of all arts; ''ādi-guruḥ''—the original spiritual master; ''nanarta''—began to dance.
	</div>		</div>

			{{SBcollapse}}
	==== TRANSLATION ====		==== TRANSLATION ====

	<div id="translation">		<div class="translation">
	Having severely depleted the serpent's strength with His relentless circling, Śrī Kṛṣṇa, the origin of everything, pushed down Kāliya's raised shoulders and mounted his broad serpentine heads. Thus Lord Śrī Kṛṣṇa, the original master of all fine arts, began to dance, His lotus feet deeply reddened by the touch of the numerous jewels upon the serpent's heads.		Having severely depleted the serpent's strength with His relentless circling, Śrī Kṛṣṇa, the origin of everything, pushed down Kāliya's raised shoulders and mounted his broad serpentine heads. Thus Lord Śrī Kṛṣṇa, the original master of all fine arts, began to dance, His lotus feet deeply reddened by the touch of the numerous jewels upon the serpent's heads.
	</div>		</div>
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	==== PURPORT ====		==== PURPORT ====

	<div id="purport">		<div class="purport">
	Śrī Hari-vaṁśa states, śiraḥ sa kṛṣṇo jagrāha sva-hastenāvanamya: "Kṛṣṇa grabbed Kāliya's head with His hand and forced it to bow down." Most people in this world are quite reluctant to bow down to the Supreme Person, the Absolute Truth. In the contaminated state called material consciousness, we conditioned souls become proud of our insignificant position and are thus reluctant to bow our heads before the Lord. Yet just as Lord Kṛṣṇa forcibly pushed Kāliya's heads down and thus defeated him, the Supreme Lord's energy in the form of irresistible time kills all conditioned souls and thus forces them to bow down their arrogant heads. We should therefore give up the artificial position of material life and become faithful servants of the Supreme Lord, enthusiastically bowing down at His lotus feet.		''Śrī Hari-vaṁśa'' states, ''śiraḥ sa kṛṣṇo jagrāha sva-hastenāvanamya:'' "Kṛṣṇa grabbed Kāliya's head with His hand and forced it to bow down." Most people in this world are quite reluctant to bow down to the Supreme Person, the Absolute Truth. In the contaminated state called material consciousness, we conditioned souls become proud of our insignificant position and are thus reluctant to bow our heads before the Lord. Yet just as Lord Kṛṣṇa forcibly pushed Kāliya's heads down and thus defeated him, the Supreme Lord's energy in the form of irresistible time kills all conditioned souls and thus forces them to bow down their arrogant heads. We should therefore give up the artificial position of material life and become faithful servants of the Supreme Lord, enthusiastically bowing down at His lotus feet.

	Śrīla Viśvanātha Cakravartī Ṭhākura explains that Lord Kṛṣṇa's lotus feet became red like copper because of their contact with the numerous hard jewels upon the heads of Kāliya. Lord Kṛṣṇa, with those glowing reddish feet, then began to demonstrate His artistic skill by dancing on the unsteady, moving surface of the serpent's hoods. This extraordinary demonstration of dancing skill was meant for the pleasure of the young women of Vṛndāvana, who at this phase of their relationship with Kṛṣṇa were seriously falling in love with Him.		Śrīla Viśvanātha Cakravartī Ṭhākura explains that Lord Kṛṣṇa's lotus feet became red like copper because of their contact with the numerous hard jewels upon the heads of Kāliya. Lord Kṛṣṇa, with those glowing reddish feet, then began to demonstrate His artistic skill by dancing on the unsteady, moving surface of the serpent's hoods. This extraordinary demonstration of dancing skill was meant for the pleasure of the young women of Vṛndāvana, who at this phase of their relationship with Kṛṣṇa were seriously falling in love with Him.
	</div>		</div>
	__NOTOC__~~{{SB_Footer\|{{PAGENAME}}}}~~		</div>
			</div>


			<div style="float:right">[[File:Go-previous.png\|link=SB 10.16.25]] '''[[SB 10.16.25]] - [[SB 10.16.27]]''' [[File:Go-next.png\|link=SB 10.16.27]]</div>
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Acyuta: 1 revision(s)

2008-03-17T13:05:39Z

1 revision(s)

New page

{{SB_Header|{{PAGENAME}}}}
{{info
|speaker=Sukadeva Goswami
|listener=King Pariksit
}}

==== TEXT 26 ====

<div id="text">
evaṁ paribhrama-hataujasam unnatāṁsam<br>
ānamya tat-pṛthu-śiraḥsv adhirūḍha ādyaḥ<br>
tan-mūrdha-ratna-nikara-sparśāti-tāmra-<br>
pādāmbujo 'khila-kalādi-gurur nanarta<br>
</div>

==== SYNONYMS ====

<div id="synonyms">
evam—in this way; paribhrama—because of the Lord's moving around him; hata—spoiled; ojasam—whose strength; unnata—raised high; aṁsam—whose shoulders; ānamya—making him bend down; tat—his; pṛthu-śiraḥsu—onto the broad heads; adhirūḍhaḥ—having climbed up; ādyaḥ—the ultimate origin of everything; tat—his; mūrdha—on the heads; ratna-nikara—the numerous jewels; sparśa—because of touching; ati-tāmra—very much reddened; pāda-ambujaḥ—whose lotus feet; akhila-kalā—of all arts; ādi-guruḥ—the original spiritual master; nanarta—began to dance.
</div>

==== TRANSLATION ====

<div id="translation">
Having severely depleted the serpent's strength with His relentless circling, Śrī Kṛṣṇa, the origin of everything, pushed down Kāliya's raised shoulders and mounted his broad serpentine heads. Thus Lord Śrī Kṛṣṇa, the original master of all fine arts, began to dance, His lotus feet deeply reddened by the touch of the numerous jewels upon the serpent's heads.
</div>

==== PURPORT ====

<div id="purport">
Śrī Hari-vaṁśa states, śiraḥ sa kṛṣṇo jagrāha sva-hastenāvanamya: "Kṛṣṇa grabbed Kāliya's head with His hand and forced it to bow down." Most people in this world are quite reluctant to bow down to the Supreme Person, the Absolute Truth. In the contaminated state called material consciousness, we conditioned souls become proud of our insignificant position and are thus reluctant to bow our heads before the Lord. Yet just as Lord Kṛṣṇa forcibly pushed Kāliya's heads down and thus defeated him, the Supreme Lord's energy in the form of irresistible time kills all conditioned souls and thus forces them to bow down their arrogant heads. We should therefore give up the artificial position of material life and become faithful servants of the Supreme Lord, enthusiastically bowing down at His lotus feet.

Śrīla Viśvanātha Cakravartī Ṭhākura explains that Lord Kṛṣṇa's lotus feet became red like copper because of their contact with the numerous hard jewels upon the heads of Kāliya. Lord Kṛṣṇa, with those glowing reddish feet, then began to demonstrate His artistic skill by dancing on the unsteady, moving surface of the serpent's hoods. This extraordinary demonstration of dancing skill was meant for the pleasure of the young women of Vṛndāvana, who at this phase of their relationship with Kṛṣṇa were seriously falling in love with Him.
</div>
__NOTOC__{{SB_Footer|{{PAGENAME}}}}