SB 3.14.32 - Revision history

Elad: Vanibot #0054 edit - transform synonyms into clickable links, which search similar occurrences

2024-02-17T21:30:48Z

Vanibot #0054 edit - transform synonyms into clickable links, which search similar occurrences

← Older revision		Revision as of 21:30, 17 February 2024
Line 23:		Line 23:

	<div class="synonyms">		<div class="synonyms">
	''atha''~~—thereafter~~; ''upaspṛśya''~~—touching~~ or taking bath in water; ''salilam''~~—water~~; ''prāṇān āyamya''~~—practicing~~ trance; ''vāk-yataḥ''~~—controlling~~ speech; ''dhyāyan''~~—meditating~~; ''jajāpa''~~—chanted~~ within the mouth; ''virajam''~~—pure~~; ''brahma''~~—Gāyatrī~~ hymns; ''jyotiḥ''~~—effulgence~~; ''sanātanam''~~—eternal~~.		''[//vanipedia.org/wiki/Special:VaniSearch?s=atha&tab=syno_o&ds=1 atha]'' — thereafter; ''[//vanipedia.org/wiki/Special:VaniSearch?s=upaspṛśya&tab=syno_o&ds=1 upaspṛśya]'' — touching or taking bath in water; ''[//vanipedia.org/wiki/Special:VaniSearch?s=salilam&tab=syno_o&ds=1 salilam]'' — water; ''[//vanipedia.org/wiki/Special:VaniSearch?s=prāṇān&tab=syno_o&ds=1 prāṇān] [//vanipedia.org/wiki/Special:VaniSearch?s=āyamya&tab=syno_o&ds=1 āyamya]'' — practicing trance; ''[//vanipedia.org/wiki/Special:VaniSearch?s=vāk&tab=syno_o&ds=1 vāk]-[//vanipedia.org/wiki/Special:VaniSearch?s=yataḥ&tab=syno_o&ds=1 yataḥ]'' — controlling speech; ''[//vanipedia.org/wiki/Special:VaniSearch?s=dhyāyan&tab=syno_o&ds=1 dhyāyan]'' — meditating; ''[//vanipedia.org/wiki/Special:VaniSearch?s=jajāpa&tab=syno_o&ds=1 jajāpa]'' — chanted within the mouth; ''[//vanipedia.org/wiki/Special:VaniSearch?s=virajam&tab=syno_o&ds=1 virajam]'' — pure; ''[//vanipedia.org/wiki/Special:VaniSearch?s=brahma&tab=syno_o&ds=1 brahma]'' — Gāyatrī hymns; ''[//vanipedia.org/wiki/Special:VaniSearch?s=jyotiḥ&tab=syno_o&ds=1 jyotiḥ]'' — effulgence; ''[//vanipedia.org/wiki/Special:VaniSearch?s=sanātanam&tab=syno_o&ds=1 sanātanam]'' — eternal.
	</div>		</div>

Soham at 12:41, 5 May 2021

2021-05-05T12:41:15Z

← Older revision		Revision as of 12:41, 5 May 2021
Line 1:		Line 1:
	~~{{SB_Header\|{{PAGENAME}}}}~~
	{{info		{{info
	\|speaker=Maitreya ~~Rsi~~		\|speaker=Maitreya Ṛṣi
	\|listener=Vidura		\|listener=Vidura
	}}		}}
			[[Category:Srimad-Bhagavatam - Canto 03 Chapter 14]]
			[[Category:Bhagavatam Verses Spoken by Maitreya Rsi - Vanisource\|031432]]
			<div style="float:left">'''[[Srimad-Bhagavatam]] - [[SB 3\|Third Canto]] - [[SB 3.14: Pregnancy of Diti in the Evening\|Chapter 14: Pregnancy of Diti in the Evening]]'''</div>
			<div style="float:right">[[File:Go-previous.png\|link=SB 3.14.31]] '''[[SB 3.14.31]] - [[SB 3.14.33]]''' [[File:Go-next.png\|link=SB 3.14.33]]</div>
			{{RandomImage}}


	==== TEXT 32 ====		==== TEXT 32 ====

	<div id="~~text~~">		<div class="verse">
	athopaspṛśya salilaṁ~~<br>~~		:athopaspṛśya salilaṁ
	prāṇān āyamya vāg-yataḥ~~<br>~~		:prāṇān āyamya vāg-yataḥ
	dhyāyañ jajāpa virajaṁ~~<br>~~		:dhyāyañ jajāpa virajaṁ
	brahma jyotiḥ sanātanam~~<br>~~		:brahma jyotiḥ sanātanam
	</div>		</div>

Line 16:		Line 22:
	==== SYNONYMS ====		==== SYNONYMS ====

	<div id="synonyms">		<div class="synonyms">
	~~atha—thereafter~~; ~~upaspṛśya—touching~~ or taking bath in water; ~~salilam—water~~; prāṇān ~~āyamya—practicing~~ trance; vāk-~~yataḥ—controlling~~ speech; ~~dhyāyan—meditating~~; ~~jajāpa—chanted~~ within the mouth; ~~virajam—pure~~; ~~brahma—Gāyatrī~~ hymns; ~~jyotiḥ—effulgence~~; ~~sanātanam—eternal~~.		''atha''—thereafter; ''upaspṛśya''—touching or taking bath in water; ''salilam''—water; ''prāṇān āyamya''—practicing trance; ''vāk-yataḥ''—controlling speech; ''dhyāyan''—meditating; ''jajāpa''—chanted within the mouth; ''virajam''—pure; ''brahma''—Gāyatrī hymns; ''jyotiḥ''—effulgence; ''sanātanam''—eternal.
	</div>		</div>

Line 23:		Line 29:
	==== TRANSLATION ====		==== TRANSLATION ====

	<div id="translation">		<div class="translation">
	Thereafter the brāhmaṇa took his bath in the water and controlled his speech by practicing trance, meditating on the eternal effulgence and chanting the holy Gāyatrī hymns within his mouth.		Thereafter the brāhmaṇa took his bath in the water and controlled his speech by practicing trance, meditating on the eternal effulgence and chanting the holy Gāyatrī hymns within his mouth.
	</div>		</div>
Line 30:		Line 36:
	==== PURPORT ====		==== PURPORT ====

	<div id="purport">		<div class="purport">
	As one has to take bath after using the toilet, so one has to wash himself with water after sexual intercourse, especially when at a forbidden time. Kaśyapa Muni meditated on the impersonal brahmajyoti by chanting the Gāyatrī mantra within his mouth. When a Vedic mantra is chanted within the mouth so that only the chanter can hear, the chanting is called japa. But when such mantras are chanted loudly, it is called kīrtana. The Vedic hymn Hare Kṛṣṇa, Hare Kṛṣṇa, Kṛṣṇa Kṛṣṇa, Hare Hare/ Hare Rāma, Hare Rāma, Rāma Rāma, Hare Hare can be chanted both softly to oneself or loudly; therefore it is called the mahā-mantra, or the great hymn.		As one has to take bath after using the toilet, so one has to wash himself with water after sexual intercourse, especially when at a forbidden time. Kaśyapa Muni meditated on the impersonal ''brahmajyoti'' by chanting the Gāyatrī ''mantra'' within his mouth. When a Vedic ''mantra'' is chanted within the mouth so that only the chanter can hear, the chanting is called ''japa''. But when such ''mantras'' are chanted loudly, it is called ''kīrtana''. The Vedic hymn Hare Kṛṣṇa, Hare Kṛṣṇa, Kṛṣṇa Kṛṣṇa, Hare Hare/ Hare Rāma, Hare Rāma, Rāma Rāma, Hare Hare can be chanted both softly to oneself or loudly; therefore it is called the ''mahā-mantra'', or the great hymn.

	Kaśyapa Muni appears to be an impersonalist. Comparing his character with that of Ṭhākura Haridāsa as referred to above, it is clear that the personalist is stronger in sense control than the impersonalist. This is explained in Bhagavad-gītā as paraṁ dṛṣṭvā nivartate; ([[BG 9.59]]) i.e., one ceases to accept lower grade things when one is situated in a superior condition. One is supposed to be purified after taking bath and chanting Gāyatrī, but the mahā-mantra is so powerful that one can chant loudly or softly, in any condition, and he is protected from all the evils of material existence.		Kaśyapa Muni appears to be an impersonalist. Comparing his character with that of Ṭhākura Haridāsa as referred to above, it is clear that the personalist is stronger in sense control than the impersonalist. This is explained in [[Bhagavad-gita As It Is (1972)\|''Bhagavad-gītā'']] as ''paraṁ dṛṣṭvā nivartate;'' ([[BG 2.59 (1972)\|BG 2.59]]) i.e., one ceases to accept lower grade things when one is situated in a superior condition. One is supposed to be purified after taking bath and chanting Gāyatrī, but the ''mahā-mantra'' is so powerful that one can chant loudly or softly, in any condition, and he is protected from all the evils of material existence.
	</div>		</div>
	__NOTOC__~~{{SB_Footer\|{{PAGENAME}}}}~~

			<div style="float:right; clear:both;">[[File:Go-previous.png\|link=SB 3.14.31]] '''[[SB 3.14.31]] - [[SB 3.14.33]]''' [[File:Go-next.png\|link=SB 3.14.33]]</div>
			__NOTOC__
			__NOEDITSECTION__

Acyuta: 1 revision(s)

2008-03-16T17:20:09Z

1 revision(s)

New page

{{SB_Header|{{PAGENAME}}}}
{{info
|speaker=Maitreya Rsi
|listener=Vidura
}}
==== TEXT 32 ====

<div id="text">
athopaspṛśya salilaṁ<br>
prāṇān āyamya vāg-yataḥ<br>
dhyāyañ jajāpa virajaṁ<br>
brahma jyotiḥ sanātanam<br>
</div>

==== SYNONYMS ====

<div id="synonyms">
atha—thereafter; upaspṛśya—touching or taking bath in water; salilam—water; prāṇān āyamya—practicing trance; vāk-yataḥ—controlling speech; dhyāyan—meditating; jajāpa—chanted within the mouth; virajam—pure; brahma—Gāyatrī hymns; jyotiḥ—effulgence; sanātanam—eternal.
</div>

==== TRANSLATION ====

<div id="translation">
Thereafter the brāhmaṇa took his bath in the water and controlled his speech by practicing trance, meditating on the eternal effulgence and chanting the holy Gāyatrī hymns within his mouth.
</div>

==== PURPORT ====

<div id="purport">
As one has to take bath after using the toilet, so one has to wash himself with water after sexual intercourse, especially when at a forbidden time. Kaśyapa Muni meditated on the impersonal brahmajyoti by chanting the Gāyatrī mantra within his mouth. When a Vedic mantra is chanted within the mouth so that only the chanter can hear, the chanting is called japa. But when such mantras are chanted loudly, it is called kīrtana. The Vedic hymn Hare Kṛṣṇa, Hare Kṛṣṇa, Kṛṣṇa Kṛṣṇa, Hare Hare/ Hare Rāma, Hare Rāma, Rāma Rāma, Hare Hare can be chanted both softly to oneself or loudly; therefore it is called the mahā-mantra, or the great hymn.

Kaśyapa Muni appears to be an impersonalist. Comparing his character with that of Ṭhākura Haridāsa as referred to above, it is clear that the personalist is stronger in sense control than the impersonalist. This is explained in Bhagavad-gītā as paraṁ dṛṣṭvā nivartate; ([[BG 9.59]]) i.e., one ceases to accept lower grade things when one is situated in a superior condition. One is supposed to be purified after taking bath and chanting Gāyatrī, but the mahā-mantra is so powerful that one can chant loudly or softly, in any condition, and he is protected from all the evils of material existence.
</div>
__NOTOC__{{SB_Footer|{{PAGENAME}}}}