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		<title>Shaalini at 05:44, 11 December 2021</title>
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				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;← Older revision&lt;/td&gt;
				&lt;td colspan=&quot;2&quot; style=&quot;background-color: #fff; color: #202122; text-align: center;&quot;&gt;Revision as of 05:44, 11 December 2021&lt;/td&gt;
				&lt;/tr&gt;&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot; id=&quot;mw-diff-left-l1&quot;&gt;Line 1:&lt;/td&gt;
&lt;td colspan=&quot;2&quot; class=&quot;diff-lineno&quot;&gt;Line 1:&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;[[Category:Teachings of Lord Caitanya (1975)|T06]]&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;div style=&amp;quot;float:left&amp;quot;&amp;gt;[[File:Go-previous.png|link=Teachings of Lord Caitanya (1975)]] &amp;#039;&amp;#039;&amp;#039;[[Teachings of Lord Caitanya (1975)]], His Forms Are One and the Same&amp;#039;&amp;#039;&amp;#039;&amp;lt;/div&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;div style=&amp;quot;float:left&amp;quot;&amp;gt;[[File:Go-previous.png|link=Teachings of Lord Caitanya (1975)]] &amp;#039;&amp;#039;&amp;#039;[[Teachings of Lord Caitanya (1975)]], His Forms Are One and the Same&amp;#039;&amp;#039;&amp;#039;&amp;lt;/div&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;div style=&amp;quot;float:right&amp;quot;&amp;gt;[[File:Go-previous.png|link=TLC 5 (1975)]] &amp;#039;&amp;#039;&amp;#039;[[TLC 5 (1975)]] - [[TLC 7 (1975)]]&amp;#039;&amp;#039;&amp;#039; [[File:Go-next.png|link=TLC 7 (1975)]]&amp;lt;/div&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&amp;lt;div style=&amp;quot;float:right&amp;quot;&amp;gt;[[File:Go-previous.png|link=TLC 5 (1975)]] &amp;#039;&amp;#039;&amp;#039;[[TLC 5 (1975)]] - [[TLC 7 (1975)]]&amp;#039;&amp;#039;&amp;#039; [[File:Go-next.png|link=TLC 7 (1975)]]&amp;lt;/div&amp;gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{CompareVersions|TLC|6|TLC 1968|TLC 1975}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td colspan=&quot;2&quot; class=&quot;diff-side-deleted&quot;&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;{{CompareVersions|TLC|6|TLC 1975|TLC 2011|Followup}}&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{RandomImage}}&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;{{RandomImage}}&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;By devotional service one can understand that Kṛṣṇa first of all manifests Himself as svayam-rūpa, His personal form, then as tadekātma-rūpa, and then as āveśa-rūpa. It is in these three features that He manifests Himself in His transcendental form. The feature of svayam-rūpa is the form by which Kṛṣṇa can be understood by one who may not understand His other features. In other words, the form by which Kṛṣṇa is directly understood is called svayam-rūpa, or His personal form. The tadekātma-rūpa is that form which most resembles the svayam-rūpa, but there are some differences in the bodily features. The tadekātma-rūpa is divided into two &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;manifestations-the &lt;/del&gt;personal expansion (svāṁśa) and the pastime expansion (vilāsa). As far as the āveśa-rūpa is concerned, when Kṛṣṇa empowers some suitable living entity to represent Him, that living entity is called āveśa-rūpa, or śaktyāveśa-avatāra.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;By devotional service one can understand that Kṛṣṇa first of all manifests Himself as &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;svayam-rūpa&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;, His personal form, then as &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;tadekātma-rūpa&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;, and then as &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;āveśa-rūpa&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;. It is in these three features that He manifests Himself in His transcendental form. The feature of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;svayam-rūpa&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/ins&gt;is the form by which Kṛṣṇa can be understood by one who may not understand His other features. In other words, the form by which Kṛṣṇa is directly understood is called &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;svayam-rūpa&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;, or His personal form. The &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;tadekātma-rūpa&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/ins&gt;is that form which most resembles the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;svayam-rūpa&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;, but there are some differences in the bodily features. The &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;tadekātma-rūpa&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/ins&gt;is divided into two &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;manifestations—the &lt;/ins&gt;personal expansion (&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;svāṁśa&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;) and the pastime expansion (&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;vilāsa&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;). As far as the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;āveśa-rūpa&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/ins&gt;is concerned, when Kṛṣṇa empowers some suitable living entity to represent Him, that living entity is called &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;āveśa-rūpa&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;, or &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;śaktyāveśa-avatāra&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The personal form of Kṛṣṇa can be divided into two: svayam-rūpa and svayam-prakāśa. As far as His svayam-rūpa (or pastime form) is concerned, it is in that form that He remains always in Vṛndāvana with the inhabitants of Vṛndāvana. This personal form (svayam-rūpa) can be further divided into the prābhava and vaibhava forms. For instance, Kṛṣṇa expanded Himself in multiple forms during the rāsa dance in order to dance with each and every gopī who took part in forms in order to accommodate His 16,108 wives. There are some instances of great mystics&#039; also expanding their bodily features in different ways, but Kṛṣṇa did not expand Himself by any yoga process. Each expansion of Kṛṣṇa was a separate individual. In Vedic history, Saubhari Ṛṣi, a sage, expanded himself into eight forms by the yoga process, but Saubhari Ṛṣi remained one. As far as Kṛṣṇa is concerned, when He manifested Himself in different forms, each and every one of them was a separate individual. When Nārada Muni visited Kṛṣṇa at different palaces at Dvārakā, he was astonished at this, and yet Nārada is never astonished to see expansions of a yogī&#039;s body, since he knows the trick himself. Yet in Śrīmad-Bhāgavatam it is stated that Nārada was actually astonished to see the expansions of Kṛṣṇa. He wondered how the Lord was present with His queens in each and every one of His 16,108 palaces. With each queen, Kṛṣṇa Himself was in a different form, and He was acting in different ways. In one form He was engaged in playing with His children, and in yet another form He was performing some household work. These different activities are conducted by the Lord when He is in His &quot;emotional&quot; forms, which are known as vaibhava-prakāśa expansions. Similarly, there are other unlimited expansions of the forms of Kṛṣṇa, but even when they are divided or expanded without limit, they are still one and the same. There is no difference between one form and another. That is the absolute nature of the Supreme Personality of Godhead.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;The personal form of Kṛṣṇa can be divided into two: &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;svayam-rūpa&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;svayam-prakāśa&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;. As far as His &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;svayam-rūpa&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/ins&gt;(or pastime form) is concerned, it is in that form that He remains always in Vṛndāvana with the inhabitants of Vṛndāvana. This personal form (&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;svayam-rūpa&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;) can be further divided into the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;prābhava&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;vaibhava&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/ins&gt;forms. For instance, Kṛṣṇa expanded Himself in multiple forms during the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;rāsa&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/ins&gt;dance in order to dance with each and every &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;gopī&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/ins&gt;who took part in forms in order to accommodate His 16,108 wives. There are some instances of great mystics&#039; also expanding their bodily features in different ways, but Kṛṣṇa did not expand Himself by any &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;yoga&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/ins&gt;process. Each expansion of Kṛṣṇa was a separate individual. In Vedic history, Saubhari Ṛṣi, a sage, expanded himself into eight forms by the yoga process, but Saubhari Ṛṣi remained one. As far as Kṛṣṇa is concerned, when He manifested Himself in different forms, each and every one of them was a separate individual. When Nārada Muni visited Kṛṣṇa at different palaces at Dvārakā, he was astonished at this, and yet Nārada is never astonished to see expansions of a &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;yogī&#039;s&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/ins&gt;body, since he knows the trick himself. Yet in &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;Śrīmad-Bhāgavatam&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/ins&gt;it is stated that Nārada was actually astonished to see the expansions of Kṛṣṇa. He wondered how the Lord was present with His queens in each and every one of His 16,108 palaces. With each queen, Kṛṣṇa Himself was in a different form, and He was acting in different ways. In one form He was engaged in playing with His children, and in yet another form He was performing some household work. These different activities are conducted by the Lord when He is in His &quot;emotional&quot; forms, which are known as &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;vaibhava-prakāśa&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/ins&gt;expansions. Similarly, there are other unlimited expansions of the forms of Kṛṣṇa, but even when they are divided or expanded without limit, they are still one and the same. There is no difference between one form and another. That is the absolute nature of the Supreme Personality of Godhead.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In Śrīmad-Bhāgavatam it is stated that when Akrūra was accompanying both Kṛṣṇa and Balarāma from Gokula to Mathurā, he entered into the waters of the Yamunā River and could see in the waters all the planets in the spiritual sky. He also saw there the Lord in His Viṣṇu form as well as Nārada and the four Kumāras, who were worshiping Him. As stated in the Bhāgavata Purāṇa ([[SB 10.40.7]]):&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;Śrīmad-Bhāgavatam&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/ins&gt;it is stated that when Akrūra was accompanying both Kṛṣṇa and Balarāma from Gokula to Mathurā, he entered into the waters of the Yamunā River and could see in the waters all the planets in the spiritual sky. He also saw there the Lord in His Viṣṇu form as well as Nārada and the four Kumāras, who were worshiping Him. As stated in the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;Bhāgavata Purāṇa&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/ins&gt;([[SB 10.40.7]]):&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:anye ca saṁskṛtātmāno&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;anye ca saṁskṛtātmāno&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:vidhinābhihitena te&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;vidhinābhihitena te&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:yajanti tvan-mayās tvāṁ vai&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;yajanti tvan-mayās tvāṁ vai&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:bahumūrty-ekamūrtikam&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;:&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;bahumūrty-ekamūrtikam&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;There are many worshipers who are purified by different processes of &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;worship-such &lt;/del&gt;as the Vaiṣṇavas or the &lt;del style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Āryans-who &lt;/del&gt;also worship the Supreme Lord according to their convictions and spiritual understanding. Each process of worship involves understanding different forms of the Lord, as mentioned in scriptures, but the ultimate idea is to worship the Supreme Lord Himself.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;There are many worshipers who are purified by different processes of &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;worship—such &lt;/ins&gt;as the Vaiṣṇavas or the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;Āryans—who &lt;/ins&gt;also worship the Supreme Lord according to their convictions and spiritual understanding. Each process of worship involves understanding different forms of the Lord, as mentioned in scriptures, but the ultimate idea is to worship the Supreme Lord Himself.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In His vaibhava-prakāśa feature, the Lord manifests Himself as Balarāma. The Balarāma feature is as good as Kṛṣṇa Himself, the only difference being that the bodily hue of Kṛṣṇa is dark and that of Balarāma is fair. The vaibhava-prakāśa form was also displayed when Kṛṣṇa appeared before His Mother Devakī in the four-handed form of Nārāyaṇa, just when He entered the world. At the request of His parents, however, He transformed Himself into a two-handed form. Thus He sometimes manifests four hands and sometimes two. The two-handed form is actually vaibhava-prakāśa, and the four-handed form is prābhava-prakāśa. In His personal form, Kṛṣṇa is just like a cowherd boy, and He thinks of Himself in that way. But when He is in the Vāsudeva form, He thinks of Himself as the son of a kṣatriya and acts as a princely administrator.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In His &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;vaibhava-prakāśa&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/ins&gt;feature, the Lord manifests Himself as Balarāma. The Balarāma feature is as good as Kṛṣṇa Himself, the only difference being that the bodily hue of Kṛṣṇa is dark and that of Balarāma is fair. The &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;vaibhava-prakāśa&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/ins&gt;form was also displayed when Kṛṣṇa appeared before His Mother Devakī in the four-handed form of Nārāyaṇa, just when He entered the world. At the request of His parents, however, He transformed Himself into a two-handed form. Thus He sometimes manifests four hands and sometimes two. The two-handed form is actually &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;vaibhava-prakāśa&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;, and the four-handed form is &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;prābhava-prakāśa&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;. In His personal form, Kṛṣṇa is just like a cowherd boy, and He thinks of Himself in that way. But when He is in the Vāsudeva form, He thinks of Himself as the son of a &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;kṣatriya&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/ins&gt;and acts as a princely administrator.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the two-handed form, as the cowherd son of Nanda Mahārāja, Kṛṣṇa fully exhibits His opulence, form, beauty, wealth, attractiveness and pastimes. Indeed, in some of the Vaiṣṇava literatures it is found that sometimes, in His form as Vāsudeva, He becomes attracted to the form of Govinda in Vṛndāvana. Thus as Vāsudeva He sometimes desires to enjoy as the cowherd boy Govinda does, although the Govinda form and the Vāsudeva form are one and the same. In this regard, there is a passage in the Fourth Chapter of the Lalita-mādhava (4.19), in which Kṛṣṇa addresses Uddhava as follows: &quot;My dear friend, the form of Govinda, the cowherd boy, attracts Me. Indeed, I wish to be like the damsels of Vraja, who are also attracted by this form of Govinda.&quot; Similarly, in the Eighth Chapter, Kṛṣṇa says: &quot;O how wonderful it is! Who is this person? After seeing Him, I am so attracted that I am now desiring to embrace Him just like Rādhikā.&quot;&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;In the two-handed form, as the cowherd son of Nanda Mahārāja, Kṛṣṇa fully exhibits His opulence, form, beauty, wealth, attractiveness and pastimes. Indeed, in some of the Vaiṣṇava literatures it is found that sometimes, in His form as Vāsudeva, He becomes attracted to the form of Govinda in Vṛndāvana. Thus as Vāsudeva He sometimes desires to enjoy as the cowherd boy Govinda does, although the Govinda form and the Vāsudeva form are one and the same. In this regard, there is a passage in the Fourth Chapter of the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;Lalita-mādhava&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/ins&gt;(4.19), in which Kṛṣṇa addresses Uddhava as follows: &quot;My dear friend, the form of Govinda, the cowherd boy, attracts Me. Indeed, I wish to be like the damsels of Vraja, who are also attracted by this form of Govinda.&quot; Similarly, in the Eighth Chapter, Kṛṣṇa says: &quot;O how wonderful it is! Who is this person? After seeing Him, I am so attracted that I am now desiring to embrace Him just like Rādhikā.&quot;&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;There are also forms of Kṛṣṇa which are a little different, and these are called tadekātma-rūpa forms. These may be further divided into the vilāsa and svāṁśa forms, which in turn have many different features and can be divided into prābhava and vaibhava forms. As far as the vilāsa forms are concerned, there are innumerable prābhava-vilāsas by which Kṛṣṇa expands Himself as Vāsudeva, Saṅkarṣaṇa, Pradyumna, and Aniruddha. Sometimes the Lord thinks of Himself as a cowherd boy, and sometimes He thinks of Himself as the son of Vasudeva, a kṣatriya prince, and this &quot;thinking&quot; of Kṛṣṇa is called His &quot;pastimes.&quot; Actually He is in the same form in His vaibhava-prakāśa and prābhava-vilāsa, but He appears differently as Balarāma and Kṛṣṇa. His expansions as Vāsudeva, Saṅkarṣaṇa, Pradyumna and Aniruddha are in the original catur-vyūha, or four-handed forms.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;There are also forms of Kṛṣṇa which are a little different, and these are called &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;tadekātma-rūpa&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/ins&gt;forms. These may be further divided into the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;vilāsa&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;svāṁśa&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/ins&gt;forms, which in turn have many different features and can be divided into &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;prābhava&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;vaibhava&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/ins&gt;forms. As far as the &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;vilāsa&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/ins&gt;forms are concerned, there are innumerable &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;prābhava-vilāsas&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/ins&gt;by which Kṛṣṇa expands Himself as Vāsudeva, Saṅkarṣaṇa, Pradyumna, and Aniruddha. Sometimes the Lord thinks of Himself as a cowherd boy, and sometimes He thinks of Himself as the son of Vasudeva, a &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;kṣatriya&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/ins&gt;prince, and this &quot;thinking&quot; of Kṛṣṇa is called His &quot;pastimes.&quot; Actually He is in the same form in His &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;vaibhava-prakāśa&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039; &lt;/ins&gt;and &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;prābhava-vilāsa&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;, but He appears differently as Balarāma and Kṛṣṇa. His expansions as Vāsudeva, Saṅkarṣaṇa, Pradyumna and Aniruddha are in the original &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;catur-vyūha&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;, or four-handed forms.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;−&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #ffe49c; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;There are innumerable four-handed manifestations in different planets and different places, and they are manifested in Dvārakā and Mathurā eternally. From the four principal four-handed forms (Vāsudeva, Saṅkarṣaṇa, Pradyumna and Aniruddha) there are manifest the principal twenty-four forms called vaibhava-vilāsa, and they are named differently according to the placement of different symbols (conch, mace, lotus and disc) in their hands. The four principal manifestations of Kṛṣṇa are found in each planet in the spiritual sky, and these planets are called Nārāyaṇaloka or Vaikuṇṭhaloka. In the Vaikuṇṭhaloka He is manifested in the four-handed form of Nārāyaṇa. From each Nārāyaṇa the forms of Vāsudeva, Saṅkarṣaṇa, Pradyumna and Aniruddha are manifested. Thus Nārāyaṇa is the center, and the four forms of Vāsudeva, Saṅkarṣaṇa, Pradyumna and Aniruddha surround the Nārāyaṇa form. Each of these four forms again expand into three, and these all have different names, beginning with Keśava. These forms are twelve in all, and they are known by different names according to the placement of symbols in their hands.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot; data-marker=&quot;+&quot;&gt;&lt;/td&gt;&lt;td style=&quot;color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #a3d3ff; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;There are innumerable four-handed manifestations in different planets and different places, and they are manifested in Dvārakā and Mathurā eternally. From the four principal four-handed forms (Vāsudeva, Saṅkarṣaṇa, Pradyumna and Aniruddha) there are manifest the principal twenty-four forms called &lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;vaibhava-vilāsa&lt;ins style=&quot;font-weight: bold; text-decoration: none;&quot;&gt;&#039;&#039;&lt;/ins&gt;, and they are named differently according to the placement of different symbols (conch, mace, lotus and disc) in their hands. The four principal manifestations of Kṛṣṇa are found in each planet in the spiritual sky, and these planets are called Nārāyaṇaloka or Vaikuṇṭhaloka. In the Vaikuṇṭhaloka He is manifested in the four-handed form of Nārāyaṇa. From each Nārāyaṇa the forms of Vāsudeva, Saṅkarṣaṇa, Pradyumna and Aniruddha are manifested. Thus Nārāyaṇa is the center, and the four forms of Vāsudeva, Saṅkarṣaṇa, Pradyumna and Aniruddha surround the Nārāyaṇa form. Each of these four forms again expand into three, and these all have different names, beginning with Keśava. These forms are twelve in all, and they are known by different names according to the placement of symbols in their hands.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;br&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;tr&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As far as the Vāsudeva form is concerned, the three expansions manifested from Him are Keśava, Nārāyaṇa and Mādhava. The three forms of Saṅkarṣaṇa are known as Govinda, Viṣṇu and Śrī Madhusūdana. (It should be noted, however, that this Govinda form is not the same Govinda form that is manifested in Vṛndāvana as the son of Nanda Mahārāja.) Similarly, Pradyumna is also divided into three forms known as Trivikrama, Vāmana and Śrīdhara; and the three forms of Aniruddha are known as Hṛṣīkeśa, Padmanābha and Dāmodara.&lt;/div&gt;&lt;/td&gt;&lt;td class=&quot;diff-marker&quot;&gt;&lt;/td&gt;&lt;td style=&quot;background-color: #f8f9fa; color: #202122; font-size: 88%; border-style: solid; border-width: 1px 1px 1px 4px; border-radius: 0.33em; border-color: #eaecf0; vertical-align: top; white-space: pre-wrap;&quot;&gt;&lt;div&gt;As far as the Vāsudeva form is concerned, the three expansions manifested from Him are Keśava, Nārāyaṇa and Mādhava. The three forms of Saṅkarṣaṇa are known as Govinda, Viṣṇu and Śrī Madhusūdana. (It should be noted, however, that this Govinda form is not the same Govinda form that is manifested in Vṛndāvana as the son of Nanda Mahārāja.) Similarly, Pradyumna is also divided into three forms known as Trivikrama, Vāmana and Śrīdhara; and the three forms of Aniruddha are known as Hṛṣīkeśa, Padmanābha and Dāmodara.&lt;/div&gt;&lt;/td&gt;&lt;/tr&gt;
&lt;/table&gt;</summary>
		<author><name>Shaalini</name></author>
	</entry>
	<entry>
		<id>https://dev.vanisource.org/w/index.php?title=TLC_6_(1975)&amp;diff=309886&amp;oldid=prev</id>
		<title>Sahadeva: Created page with &quot;&lt;div style=&quot;float:left&quot;&gt;link=Teachings of Lord Caitanya (1975) &#039;&#039;&#039;Teachings of Lord Caitanya (1975), His Forms Are One and the Same&#039;&#039;&#039;&lt;/div&gt; &lt;div ...&quot;</title>
		<link rel="alternate" type="text/html" href="https://dev.vanisource.org/w/index.php?title=TLC_6_(1975)&amp;diff=309886&amp;oldid=prev"/>
		<updated>2014-07-04T15:57:08Z</updated>

		<summary type="html">&lt;p&gt;Created page with &amp;quot;&amp;lt;div style=&amp;quot;float:left&amp;quot;&amp;gt;&lt;a href=&quot;/wiki/File:Go-previous.png&quot; title=&quot;File:Go-previous.png&quot;&gt;link=Teachings of Lord Caitanya (1975)&lt;/a&gt; &amp;#039;&amp;#039;&amp;#039;&lt;a href=&quot;/wiki/Teachings_of_Lord_Caitanya_(1975)&quot; title=&quot;Teachings of Lord Caitanya (1975)&quot;&gt;Teachings of Lord Caitanya (1975)&lt;/a&gt;, His Forms Are One and the Same&amp;#039;&amp;#039;&amp;#039;&amp;lt;/div&amp;gt; &amp;lt;div ...&amp;quot;&lt;/p&gt;
&lt;p&gt;&lt;b&gt;New page&lt;/b&gt;&lt;/p&gt;&lt;div&gt;&amp;lt;div style=&amp;quot;float:left&amp;quot;&amp;gt;[[File:Go-previous.png|link=Teachings of Lord Caitanya (1975)]] &amp;#039;&amp;#039;&amp;#039;[[Teachings of Lord Caitanya (1975)]], His Forms Are One and the Same&amp;#039;&amp;#039;&amp;#039;&amp;lt;/div&amp;gt;&lt;br /&gt;
&amp;lt;div style=&amp;quot;float:right&amp;quot;&amp;gt;[[File:Go-previous.png|link=TLC 5 (1975)]] &amp;#039;&amp;#039;&amp;#039;[[TLC 5 (1975)]] - [[TLC 7 (1975)]]&amp;#039;&amp;#039;&amp;#039; [[File:Go-next.png|link=TLC 7 (1975)]]&amp;lt;/div&amp;gt;&lt;br /&gt;
{{RandomImage}}&lt;br /&gt;
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By devotional service one can understand that Kṛṣṇa first of all manifests Himself as svayam-rūpa, His personal form, then as tadekātma-rūpa, and then as āveśa-rūpa. It is in these three features that He manifests Himself in His transcendental form. The feature of svayam-rūpa is the form by which Kṛṣṇa can be understood by one who may not understand His other features. In other words, the form by which Kṛṣṇa is directly understood is called svayam-rūpa, or His personal form. The tadekātma-rūpa is that form which most resembles the svayam-rūpa, but there are some differences in the bodily features. The tadekātma-rūpa is divided into two manifestations-the personal expansion (svāṁśa) and the pastime expansion (vilāsa). As far as the āveśa-rūpa is concerned, when Kṛṣṇa empowers some suitable living entity to represent Him, that living entity is called āveśa-rūpa, or śaktyāveśa-avatāra.&lt;br /&gt;
&lt;br /&gt;
The personal form of Kṛṣṇa can be divided into two: svayam-rūpa and svayam-prakāśa. As far as His svayam-rūpa (or pastime form) is concerned, it is in that form that He remains always in Vṛndāvana with the inhabitants of Vṛndāvana. This personal form (svayam-rūpa) can be further divided into the prābhava and vaibhava forms. For instance, Kṛṣṇa expanded Himself in multiple forms during the rāsa dance in order to dance with each and every gopī who took part in forms in order to accommodate His 16,108 wives. There are some instances of great mystics&amp;#039; also expanding their bodily features in different ways, but Kṛṣṇa did not expand Himself by any yoga process. Each expansion of Kṛṣṇa was a separate individual. In Vedic history, Saubhari Ṛṣi, a sage, expanded himself into eight forms by the yoga process, but Saubhari Ṛṣi remained one. As far as Kṛṣṇa is concerned, when He manifested Himself in different forms, each and every one of them was a separate individual. When Nārada Muni visited Kṛṣṇa at different palaces at Dvārakā, he was astonished at this, and yet Nārada is never astonished to see expansions of a yogī&amp;#039;s body, since he knows the trick himself. Yet in Śrīmad-Bhāgavatam it is stated that Nārada was actually astonished to see the expansions of Kṛṣṇa. He wondered how the Lord was present with His queens in each and every one of His 16,108 palaces. With each queen, Kṛṣṇa Himself was in a different form, and He was acting in different ways. In one form He was engaged in playing with His children, and in yet another form He was performing some household work. These different activities are conducted by the Lord when He is in His &amp;quot;emotional&amp;quot; forms, which are known as vaibhava-prakāśa expansions. Similarly, there are other unlimited expansions of the forms of Kṛṣṇa, but even when they are divided or expanded without limit, they are still one and the same. There is no difference between one form and another. That is the absolute nature of the Supreme Personality of Godhead.&lt;br /&gt;
&lt;br /&gt;
In Śrīmad-Bhāgavatam it is stated that when Akrūra was accompanying both Kṛṣṇa and Balarāma from Gokula to Mathurā, he entered into the waters of the Yamunā River and could see in the waters all the planets in the spiritual sky. He also saw there the Lord in His Viṣṇu form as well as Nārada and the four Kumāras, who were worshiping Him. As stated in the Bhāgavata Purāṇa ([[SB 10.40.7]]):&lt;br /&gt;
&lt;br /&gt;
:anye ca saṁskṛtātmāno&lt;br /&gt;
:vidhinābhihitena te&lt;br /&gt;
:yajanti tvan-mayās tvāṁ vai&lt;br /&gt;
:bahumūrty-ekamūrtikam&lt;br /&gt;
&lt;br /&gt;
There are many worshipers who are purified by different processes of worship-such as the Vaiṣṇavas or the Āryans-who also worship the Supreme Lord according to their convictions and spiritual understanding. Each process of worship involves understanding different forms of the Lord, as mentioned in scriptures, but the ultimate idea is to worship the Supreme Lord Himself.&lt;br /&gt;
&lt;br /&gt;
In His vaibhava-prakāśa feature, the Lord manifests Himself as Balarāma. The Balarāma feature is as good as Kṛṣṇa Himself, the only difference being that the bodily hue of Kṛṣṇa is dark and that of Balarāma is fair. The vaibhava-prakāśa form was also displayed when Kṛṣṇa appeared before His Mother Devakī in the four-handed form of Nārāyaṇa, just when He entered the world. At the request of His parents, however, He transformed Himself into a two-handed form. Thus He sometimes manifests four hands and sometimes two. The two-handed form is actually vaibhava-prakāśa, and the four-handed form is prābhava-prakāśa. In His personal form, Kṛṣṇa is just like a cowherd boy, and He thinks of Himself in that way. But when He is in the Vāsudeva form, He thinks of Himself as the son of a kṣatriya and acts as a princely administrator.&lt;br /&gt;
&lt;br /&gt;
In the two-handed form, as the cowherd son of Nanda Mahārāja, Kṛṣṇa fully exhibits His opulence, form, beauty, wealth, attractiveness and pastimes. Indeed, in some of the Vaiṣṇava literatures it is found that sometimes, in His form as Vāsudeva, He becomes attracted to the form of Govinda in Vṛndāvana. Thus as Vāsudeva He sometimes desires to enjoy as the cowherd boy Govinda does, although the Govinda form and the Vāsudeva form are one and the same. In this regard, there is a passage in the Fourth Chapter of the Lalita-mādhava (4.19), in which Kṛṣṇa addresses Uddhava as follows: &amp;quot;My dear friend, the form of Govinda, the cowherd boy, attracts Me. Indeed, I wish to be like the damsels of Vraja, who are also attracted by this form of Govinda.&amp;quot; Similarly, in the Eighth Chapter, Kṛṣṇa says: &amp;quot;O how wonderful it is! Who is this person? After seeing Him, I am so attracted that I am now desiring to embrace Him just like Rādhikā.&amp;quot;&lt;br /&gt;
&lt;br /&gt;
There are also forms of Kṛṣṇa which are a little different, and these are called tadekātma-rūpa forms. These may be further divided into the vilāsa and svāṁśa forms, which in turn have many different features and can be divided into prābhava and vaibhava forms. As far as the vilāsa forms are concerned, there are innumerable prābhava-vilāsas by which Kṛṣṇa expands Himself as Vāsudeva, Saṅkarṣaṇa, Pradyumna, and Aniruddha. Sometimes the Lord thinks of Himself as a cowherd boy, and sometimes He thinks of Himself as the son of Vasudeva, a kṣatriya prince, and this &amp;quot;thinking&amp;quot; of Kṛṣṇa is called His &amp;quot;pastimes.&amp;quot; Actually He is in the same form in His vaibhava-prakāśa and prābhava-vilāsa, but He appears differently as Balarāma and Kṛṣṇa. His expansions as Vāsudeva, Saṅkarṣaṇa, Pradyumna and Aniruddha are in the original catur-vyūha, or four-handed forms.&lt;br /&gt;
&lt;br /&gt;
There are innumerable four-handed manifestations in different planets and different places, and they are manifested in Dvārakā and Mathurā eternally. From the four principal four-handed forms (Vāsudeva, Saṅkarṣaṇa, Pradyumna and Aniruddha) there are manifest the principal twenty-four forms called vaibhava-vilāsa, and they are named differently according to the placement of different symbols (conch, mace, lotus and disc) in their hands. The four principal manifestations of Kṛṣṇa are found in each planet in the spiritual sky, and these planets are called Nārāyaṇaloka or Vaikuṇṭhaloka. In the Vaikuṇṭhaloka He is manifested in the four-handed form of Nārāyaṇa. From each Nārāyaṇa the forms of Vāsudeva, Saṅkarṣaṇa, Pradyumna and Aniruddha are manifested. Thus Nārāyaṇa is the center, and the four forms of Vāsudeva, Saṅkarṣaṇa, Pradyumna and Aniruddha surround the Nārāyaṇa form. Each of these four forms again expand into three, and these all have different names, beginning with Keśava. These forms are twelve in all, and they are known by different names according to the placement of symbols in their hands.&lt;br /&gt;
&lt;br /&gt;
As far as the Vāsudeva form is concerned, the three expansions manifested from Him are Keśava, Nārāyaṇa and Mādhava. The three forms of Saṅkarṣaṇa are known as Govinda, Viṣṇu and Śrī Madhusūdana. (It should be noted, however, that this Govinda form is not the same Govinda form that is manifested in Vṛndāvana as the son of Nanda Mahārāja.) Similarly, Pradyumna is also divided into three forms known as Trivikrama, Vāmana and Śrīdhara; and the three forms of Aniruddha are known as Hṛṣīkeśa, Padmanābha and Dāmodara.&lt;br /&gt;
&lt;br /&gt;
&lt;br /&gt;
&amp;lt;div style=&amp;quot;float:right&amp;quot;&amp;gt;[[File:Go-previous.png|link=TLC 5 (1975)]] &amp;#039;&amp;#039;&amp;#039;[[TLC 5 (1975)]] - [[TLC 7 (1975)]]&amp;#039;&amp;#039;&amp;#039; [[File:Go-next.png|link=TLC 7 (1975)]]&amp;lt;/div&amp;gt;&lt;br /&gt;
__NOTOC__&lt;/div&gt;</summary>
		<author><name>Sahadeva</name></author>
	</entry>
</feed>