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SB 4.12.40: Difference between revisions

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{{SB_Header|{{PAGENAME}}}}
{{info
{{info
|speaker=Maitreya Rsi
|speaker=Maitreya Ṛṣi
|listener=Vidura
|listener=Vidura
}}
}}
[[Category:Srimad-Bhagavatam - Canto 04 Chapter 12]]
[[Category:Bhagavatam Verses Spoken by Maitreya Rsi - Vanisource|041240]]
<div style="float:left">'''[[Srimad-Bhagavatam]] - [[SB 4|Fourth Canto]] - [[SB 4.12: Dhruva Maharaja Goes Back to Godhead|Chapter 12: Dhruva Mahārāja Goes Back to Godhead]]'''</div>
<div style="float:right">[[File:Go-previous.png|link=SB 4.12.39]] '''[[SB 4.12.39]] - [[SB 4.12.41]]''' [[File:Go-next.png|link=SB 4.12.41]]</div>
{{RandomImage}}
==== TEXT 40 ====
==== TEXT 40 ====


<div id="text">
<div class="verse">
mahimānaṁ vilokyāsya<br>
:mahimānaṁ vilokyāsya
nārado bhagavān ṛṣiḥ<br>
:nārado bhagavān ṛṣiḥ
ātodyaṁ vitudañ ślokān<br>
:ātodyaṁ vitudañ ślokān
satre 'gāyat pracetasām<br>
:satre 'gāyat pracetasām
</div>
</div>


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==== SYNONYMS ====
==== SYNONYMS ====


<div id="synonyms">
<div class="synonyms">
mahimānam—glories; vilokya—observing; asya—of Dhruva Mahārāja; nāradaḥ—the great sage Nārada; bhagavān—equally as exalted as the Supreme Personality of Godhead; ṛṣiḥ—the saint; ātodyam—the stringed instrument, vīṇā; vitudan—playing on; ślokān—verses; satre—in the sacrificial arena; agāyat—chanted; pracetasām—of the Pracetās.
''[//vanipedia.org/wiki/Special:VaniSearch?s=mahimānam&tab=syno_o&ds=1 mahimānam]'' — glories; ''[//vanipedia.org/wiki/Special:VaniSearch?s=vilokya&tab=syno_o&ds=1 vilokya]'' — observing; ''[//vanipedia.org/wiki/Special:VaniSearch?s=asya&tab=syno_o&ds=1 asya]'' — of Dhruva Mahārāja; ''[//vanipedia.org/wiki/Special:VaniSearch?s=nāradaḥ&tab=syno_o&ds=1 nāradaḥ]'' — the great sage Nārada; ''[//vanipedia.org/wiki/Special:VaniSearch?s=bhagavān&tab=syno_o&ds=1 bhagavān]'' — equally as exalted as the Supreme Personality of Godhead; ''[//vanipedia.org/wiki/Special:VaniSearch?s=ṛṣiḥ&tab=syno_o&ds=1 ṛṣiḥ]'' — the saint; ''[//vanipedia.org/wiki/Special:VaniSearch?s=ātodyam&tab=syno_o&ds=1 ātodyam]'' — the stringed instrument, vīṇā; ''[//vanipedia.org/wiki/Special:VaniSearch?s=vitudan&tab=syno_o&ds=1 vitudan]'' — playing on; ''[//vanipedia.org/wiki/Special:VaniSearch?s=ślokān&tab=syno_o&ds=1 ślokān]'' — verses; ''[//vanipedia.org/wiki/Special:VaniSearch?s=satre&tab=syno_o&ds=1 satre]'' — in the sacrificial arena; ''[//vanipedia.org/wiki/Special:VaniSearch?s=agāyat&tab=syno_o&ds=1 agāyat]'' — chanted; ''[//vanipedia.org/wiki/Special:VaniSearch?s=pracetasām&tab=syno_o&ds=1 pracetasām]'' — of the Pracetās.
</div>
</div>


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==== TRANSLATION ====
==== TRANSLATION ====


<div id="translation">
<div class="translation">
After observing the glories of Dhruva Mahārāja, the great sage Nārada, playing his vīṇā, went to the sacrificial arena of the Pracetās and very happily chanted the following three verses.
After observing the glories of Dhruva Mahārāja, the great sage Nārada, playing his vīṇā, went to the sacrificial arena of the Pracetās and very happily chanted the following three verses.
</div>
</div>
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==== PURPORT ====
==== PURPORT ====


<div id="purport">
<div class="purport">
The great sage Nārada was the spiritual master of Dhruva Mahārāja. Certainly he was very glad to see Dhruva's glories. As a father is very happy to see the son's advancement in every respect, so the spiritual master is very happy to observe the ascendancy of his disciple.
The great sage Nārada was the spiritual master of Dhruva Mahārāja. Certainly he was very glad to see Dhruva's glories. As a father is very happy to see the son's advancement in every respect, so the spiritual master is very happy to observe the ascendancy of his disciple.
</div>
</div>
__NOTOC__{{SB_Footer|{{PAGENAME}}}}
 
 
<div style="float:right; clear:both;">[[File:Go-previous.png|link=SB 4.12.39]] '''[[SB 4.12.39]] - [[SB 4.12.41]]''' [[File:Go-next.png|link=SB 4.12.41]]</div>
__NOTOC__
__NOEDITSECTION__

Latest revision as of 21:21, 18 February 2024

His Divine Grace
A.C. Bhaktivedanta Swami Prabhupada



TEXT 40

mahimānaṁ vilokyāsya
nārado bhagavān ṛṣiḥ
ātodyaṁ vitudañ ślokān
satre 'gāyat pracetasām


SYNONYMS

mahimānam — glories; vilokya — observing; asya — of Dhruva Mahārāja; nāradaḥ — the great sage Nārada; bhagavān — equally as exalted as the Supreme Personality of Godhead; ṛṣiḥ — the saint; ātodyam — the stringed instrument, vīṇā; vitudan — playing on; ślokān — verses; satre — in the sacrificial arena; agāyat — chanted; pracetasām — of the Pracetās.


TRANSLATION

After observing the glories of Dhruva Mahārāja, the great sage Nārada, playing his vīṇā, went to the sacrificial arena of the Pracetās and very happily chanted the following three verses.


PURPORT

The great sage Nārada was the spiritual master of Dhruva Mahārāja. Certainly he was very glad to see Dhruva's glories. As a father is very happy to see the son's advancement in every respect, so the spiritual master is very happy to observe the ascendancy of his disciple.