CC Madhya 4.155: Difference between revisions
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[[Category:Sri Caitanya-caritamrta - Madhya-lila Chapter 04|C155]] | [[Category:Sri Caitanya-caritamrta - Madhya-lila Chapter 04|C155]] | ||
<div style="float:left">'''[[Sri Caitanya-caritamrta|Śrī Caitanya-caritāmṛta]] - [[CC Madhya|Madhya-līlā]] - [[CC Madhya 4|Chapter 4: Śrī Mādhavendra Puri's Devotional Service]]'''</div> | <div style="float:left">'''[[Sri Caitanya-caritamrta|Śrī Caitanya-caritāmṛta]] - [[CC Madhya|Madhya-līlā]] - [[CC Madhya 4|Chapter 4: Śrī Mādhavendra Puri's Devotional Service]]'''</div> | ||
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''gopīnātha-caraṇe'' | ''[//vanipedia.org/wiki/Special:VaniSearch?s=gopīnātha&tab=syno_o&ds=1 gopīnātha]-[//vanipedia.org/wiki/Special:VaniSearch?s=caraṇe&tab=syno_o&ds=1 caraṇe]'' — at the lotus feet of Lord Gopīnātha; ''[//vanipedia.org/wiki/Special:VaniSearch?s=kaila&tab=syno_o&ds=1 kaila]'' — made; ''[//vanipedia.org/wiki/Special:VaniSearch?s=bahu&tab=syno_o&ds=1 bahu]'' — many; ''[//vanipedia.org/wiki/Special:VaniSearch?s=namaskāra&tab=syno_o&ds=1 namaskāra]'' — obeisances; ''[//vanipedia.org/wiki/Special:VaniSearch?s=prema&tab=syno_o&ds=1 prema]-[//vanipedia.org/wiki/Special:VaniSearch?s=āveśe&tab=syno_o&ds=1 āveśe]'' — in the ecstasy of love; ''[//vanipedia.org/wiki/Special:VaniSearch?s=nṛtya&tab=syno_o&ds=1 nṛtya]-[//vanipedia.org/wiki/Special:VaniSearch?s=gīta&tab=syno_o&ds=1 gīta]'' — dancing and chanting; ''[//vanipedia.org/wiki/Special:VaniSearch?s=karilā&tab=syno_o&ds=1 karilā]'' — performed; ''[//vanipedia.org/wiki/Special:VaniSearch?s=apāra&tab=syno_o&ds=1 apāra]'' — unlimitedly. | ||
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Latest revision as of 02:37, 4 June 2026
His Divine Grace
A.C. Bhaktivedanta Swami Prabhupada
A.C. Bhaktivedanta Swami Prabhupada
TEXT 155
- gopīnātha-caraṇe kaila bahu namaskāra
- premāveśe nṛtya-gīta karilā apāra
SYNONYMS
gopīnātha-caraṇe — at the lotus feet of Lord Gopīnātha; kaila — made; bahu — many; namaskāra — obeisances; prema-āveśe — in the ecstasy of love; nṛtya-gīta — dancing and chanting; karilā — performed; apāra — unlimitedly.
TRANSLATION
When Mādhavendra Purī reached the temple of Gopīnātha, he offered his respectful obeisances many times at the lotus feet of the Lord. In the ecstasy of love, he began to dance and sing without cessation.