CC Antya 2.34-35: Difference between revisions
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[[Category:Sri Caitanya-caritamrta - Antya-lila Chapter 02|C034]] | [[Category:Sri Caitanya-caritamrta - Antya-lila Chapter 02|C034]] | ||
<div style="float:left">'''[[Sri Caitanya-caritamrta|Śrī Caitanya-caritāmṛta]] - [[CC Antya|Antya-līlā]] - [[CC Antya 2|Chapter 2: The Chastisement of Junior Haridāsa]]'''</div> | <div style="float:left">'''[[Sri Caitanya-caritamrta|Śrī Caitanya-caritāmṛta]] - [[CC Antya|Antya-līlā]] - [[CC Antya 2|Chapter 2: The Chastisement of Junior Haridāsa]]'''</div> | ||
Latest revision as of 08:12, 4 June 2026
A.C. Bhaktivedanta Swami Prabhupada
TEXTS 34-35
- śacīra mandire, āra nityānanda-nartane
- śrīvāsa-kīrtane, āra rāghava-bhavane
- ei cāri ṭhāñi prabhura sadā ‘āvirbhāva’
- premākṛṣṭa haya,—prabhura sahaja svabhāva
SYNONYMS
śacīra mandire — in the household temple of mother Śacī; āra — and; nityānanda-nartane — at the time of Śrī Nityānanda Prabhu’s dancing; śrīvāsa-kīrtane — at the time of congregational chanting headed by Śrīvāsa Paṇḍita; āra — and; rāghava-bhavane — in the house of Rāghava; ei cāri ṭhāñi — in these four places; prabhura — of Śrī Caitanya Mahāprabhu; sadā — always; āvirbhāva — appearance; prema-ākṛṣṭa haya — is attracted by love; prabhura — of Śrī Caitanya Mahāprabhu; sahaja svabhāva — natural characteristic.
TRANSLATION
Śrī Caitanya Mahāprabhu always appeared in four places—in the household temple of mother Śacī, in the places where Śrī Nityānanda Prabhu danced, in the house of Śrīvāsa Paṇḍita during congregational chanting, and in the house of Rāghava Paṇḍita. He appeared because of His attraction to the love of His devotees. That is His natural characteristic.